by Thomas A. Heinz Availability: Usually ships within 24 hours. Hardcover - 264 pages (June 1994)
This lavishly illustrated book devotes itself to Wright's formidable contribution to the medium and features a number of powerful two-dimensional graphic designs and a number of three-dimensional units. Stained glass in the USA as well as the technical aspects of glass making are discussed. The majority of his work in glass was concentrated into the first decade of the 20th century when Wright abandoned old-fashioned stained glass windows and began experimenting with light screens of concrete developing into wood fretwork and glass block and tubing. A portfolio of Frank Lloyd Wright's buildings in the Chicago area, featuring Prairie style architecture.

Best source book of FLW art glass designs. Reviewer: kgandola@moon.jic.com from Alexandria, VA November 3, 1998 Thomas Heinz is extremely well credentialed and has written the best source book on FLW art glass designs. Finest photography available of a myriad of FLW projects incorporating art glass windows in sequential sequence. This book is the finest book on FLW works in glass. Mandatory read for any design sourcing for art glass projects. You will not find a more authoritarian reference book on art glass designs by FLW.

Simply put, the premier book on Frank Lloyd Wright Art Glass Reviewer: rick@nls.net from Cleveland, Ohio March 19, 1998 I just dropped by amazon.com to check on the availabilty of the Heinz book for a potential client. As the owner of a world class art glass studio specializing in FLW "inspired" designs, Studio Deco, I have had the opportunity to review countless books on the subject. In my opinion this is the finest book presently available.

An extensive visual tour of FLW's genious in glass art Reviewer: A reader December 26, 1996 Tomas Heinz, a practicing architect and skilled photographer has written several books on the work of Frank Lloyd Wright. In this volume, Heinz provides a thorough examination of Wright's glass art designs. The beauty and power of the designs are faithfully captured in nearly 400 illustrations, most of them in color. The first four chapters cover Wright's architectural glass designs from 1889 to 1936. Chapter Two is entirely devoted to the Dana house, which contains the largest and most extensive collection of art glass designs by Wright. Chapter Five covers Wright's use of light screens later in his career, and Chapter Six gives a brief overview of other decorative features which Wright incorporated into many of his architectural designs. A thoroughly annotated bibliography provides an execllent source for further study. This book is highly recommended for the insight it offers, its visual aesthetic appeal, and as a source of information and inspiration to stained glass artists.